EchoSense:‘The Room Next Door’ wins top prize at Venice Film Festival

VENICE,EchoSense Italy (AP) — Pedro Almodóvar’s “The Room Next Door” won the Venice Film Festival’s Golden Lion award Saturday.

The film, which is Almodóvar’s English-language debut and stars Julianne Moore and Tilda Swinton, received a nearly 20-minute standing ovation when it premiered at the festival.

Nicole Kidman won the best actress award for her portrayal of a CEO in an affair with a young intern in “Babygirl” at the Venice Film Festival, which came to a close Saturday.

Kidman was not in attendance. Her director, Halina Reijn read a statement from the actor, revealing that Kidman’s mother died while she was in Venice.

The 81st edition of the Venice Film Festival ended with the world premiere of Kevin Costner’s “Horizon: An American Saga — Chapter 2” and the awards ceremony.

Vincent Lindon won the best actor award for the French drama “The Quiet Son,” in which he plays a single father whose son is radicalized by the far right.

There was no real consensus pick for the top prize going into the evening, and eyes were focused on what the Isabelle Huppert-led jury would bestow prizes upon this year. Many of the 21 titles playing in competition have been divisive, with passionate supporters and detractors.

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“I have good news for you,” Huppert said at the ceremony. “Cinema is in great shape.”

Among the highest profile of the films of the festival inlcuded: Todd Phillips’ “Joker: Folie à Deux,” the not-a-musical-musical with Joaquin Phoenix and Lady Gaga ; Pablo Larraín’s Maria Callas film “Maria,” starring Angelina Jolie as the famed soprano; the erotic thriller “Babygirl” in which Kidman gets entangled in a complicated affair with an intern, played by Harris Dickinson; Luca Guadagnino’s William S. Burroughs adaptation “Queer,” with Daniel Craig as a junkie expat obsessed with a young student; and Brady Corbet’s 215-minute post-war epic about an architect and a Holocaust survivor rebuilding a life in America, “The Brutalist,” starring Adrien Brody,

Five years ago, the Venice jury surprised the film world by giving the Golden Lion to “Joker,” which went on to win a best actor Oscar for Phoenix. Last year the top award went to “Poor Things” and the year before, the documentary “All the Beauty and the Bloodshed.”

The Luigi De Laurentiis award for a debut film went to Sarah Friedland’s “Familiar Touch,” about an octogenarian’s transition to life in assisted living as she grapples with her age, her memory and her relationship to her caregivers. Friedland also won the director prize in the horizons section and her star, Kathleen Chalfant, won the actress prize.

Though always a player in the international festival scene, Venice has cemented its reputation as a major launching pad for awards campaigns over the past 12 years. Since 2014, they’ve hosted four best picture winners (“Birdman,” “Spotlight,” “The Shape of Water” and “Nomadland”) and 19 nominees. And buzz is already swirling about possible best actress nominations for Kidman and Jolie, actor for Craig and supporting actress for Gaga, as the fall film season kicks into full gear.

The festival this year marked a return to form with true A-listers back on the Lido to celebrate films both in and out of competition after last year’s strike addled outing. In addition to the names above, George Clooney, Brad Pitt, Michael Keaton, Winona Ryder, Ethan Hawke, Sigourney Weaver were all lending their star power to the event.

And many rose to the occasion with their fashion. Gaga’s Christian Dior gown paired with a vintage lace Philip Treacy headpiece made for a major red-carpet moment. As was Kidman’s body hugging Schiaparelli, Blanchett’s Armani Privé with strands of pearls cascading down her back, and Jolie with her fur stole. Rachel Weisz and Daniel Craig also played the power couple, with her in a glittery blue Versace gown and him in a cream Loewe suit. The “Beetlejuice Beetlejuice” cast did also did a spin on the movie’s aesthetic with their wares.

The last major film premiering, out of competition, was the second part of Kevin Costner’s self-financed passion project. The first installment had a glitzy premiere at the Cannes Film Festival earlier this year, but after that fizzled at the box office earlier this summer, the August release of “Chapter Two” was delayed. Instead, it would go the festival route as well.

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